I've been meaning to write this blog for a long time now. I've been completely annoyed by Usher for years, but I just believed that if I ignored him, he and his whack music would go away.
Then, I watched the American Music Awards (which warrants a blog post in and of itself) where clearly tone-deaf, lyrics-ignoring people picked this man to win awards supposedly based off of his contribution to music. Excuse me?!
I couldn't take this anymore. I need to confront Usher with his whackness because he damn sure doesn't deserve to win anything but a boot in the ass.
Let's examine the evidence, shall we?
Usher, after a lackluster debut at around age fourteen or so, reinvented himself and came hard with this gem right here:
Whoa, this dude has a nice voice and puts a great spin on a relationship dilemma. The production is great; the writing is fantastic. Not only that, but the video is original and shows his dancing abilities. This song was on the lips of people for months. Hell, it still is.
That, ladies and gentlemen, was the My Way era. This sent Usher down the fast track to success, and rightfully so, especially due to songs like "My Way," and this joint that used to get every guy laid in the late 90s:
And if you thought Usher was going to come out with a sophomore (or junior, depending on how you view it) slump, boy, you were wrong! He released his highly-anticipated LP 8701 that spawned multiple hits. The album went four times platinum! But why shouldn't it have with great jams like "U Remind Me," "U Got It Bad," "Can U Help Me," (sidenote: what's up with all the U's?) and my personal favorite:
I mean, seriously? This song gets it going in the club, in your car, or in your bed where I was getting it in as I was doing my research for this piece (8]). I even still remember the whole dance from the video! Honestly, 8701 was another iconic era in his career. Solid videos, solid vocals, and solid songs!
Then it all went wrong. Downhill. To hell. With Usher's follow-up Confessions, I noticed a complete dip in artistic competence and ability. Of course the debut single "Yeah" was a clubbanger that I rocked endlessly, but I was surprised to find out along with a friend of mine during a listening session that he was actually trying to tell a story! A story that was stupid at that.
It doesn't stop there.
I can't even pinpoint what exactly I hate about this song. Maybe it's the dumb chorus. Maybe it's his trite way of looking at and relaying this situation. Maybe it's just a worthless song with no depth. And don't get me started on that piece of doo-doo, ca-ca song with Alicia Keys "My Boo," where these two low-talent fools talk about love in the most shallow way ever. Ugh.
Looking back, however, Confessions Usher was golden compared to what's been going on the past couple years. This is where Usher really starts to go downhill, and I want you to truly listen and be honest with yourself at what you're hearing in your ears and your soul.
Let's continue with Usher's Here I Stand Era and his first single "Love in This Club," which is filled with some of the worst lyrics and production ever.
One, most clubs are dirty and disgusting, with dried puke and crabs available for anyone who wants it. Two, why would you make love in a club? I come to have a good time, and you're sexing some slut in front of everybody's eyes? Sickness. Three, y'all not making love. At all. Four, if "Ayyy!" was a person, I'd choke the whoa out of him. Everything about this song is off-putting and disgusting. I don't understand why people like it. The beat isn't even good. Eyeroll and let's continue.
"Moving Mountains" was another single from that era, and I don't even know what's said in the song because Usher's vocals are so God-awful they make me want to jump off some mountains. The problem with this era in his career is that he's supposed to be more mature, creating a more grown-up sound as he evolves into a different, supposedly better man, especially since he was stepping into new roles as a husband and father. This is not done at all in this era. You're an adult, trying to step into responsibility with a song about fucking in a club. Really? Stop.
But then with Raymond Vs. Raymond, created during and after the divorce from his wife, Usher grew as a man, truly. He took his life experiences and the lessons he learned, and he poured them into his music. And you can feel that especially with songs like this one:
Blank stare. o_o
One, there's no reason for a 32-year-old man to EVER say "OMG" or "Oh My Gosh" unless it's in jest, and even that is hardly acceptable. Two, how many times are you going to fall in love at the club?! Stop going to the club because it's clearly not working out for you and all the comes from it is bad music. Three, I'm starting to think that everything Will.I.Am touches turns to shit. Four, there is no reason EVER for a 32-year-old man, especially one who is supposed to be bring maturity to his artistry, should EVER, EVER say the words, "Honey got a booty like pow, pow, pow. Honey got some boobies like wow, oh, wow." If you heard this song and didn't object to these lyrics, you need a lobotomy. The writing to this song is so horrible, it induces anger in me before even pressing the play button on the video. I seriously want to know how he looked at the song and was like, "Dude, this is hot! I want this for my album." Are you serious?! The maturity was where Usher? You're too old for this shit. Danny Glover. (#Aubreylyrics)
Let's also briefly talk about "Hey Daddy (Daddy's Home)" which unfortunately has a feature from Plies. I have a problem with a.) women who refer to their significant other as their fathers and b.) men who refer to themselves as their woman's father. That's creepy, and you both need to see a damn shrink for your daddy issues. Also, why you would feature Plies on a ballad makes absolutely no sense, at all. His voice is aggravating and doesn't fit in with the song. Come on Ursh, think for just a minute!
I also won't talk about how anyone could think it a great idea to write a song with the name of an alcoholic beverage that is usually used for fighting the flu and cold or helping you go to sleep, and then have the nerve to spell it wrong. I also won't go into another superficial love song/club banger where you fall in love, yet again, at a club. Can you go to a bookstore or to the park and fall in love? Can you switch it up? Can you stop being so trite and repetitive? Ugh.
Last but not least, is this ridiculous song:
First, what is a ménagé?! Why would I ask that, Usher? Because the word doesn't exist! It's ménage. And even then that one word does not connote or denote what you think it does (members of a household). Learn the language, and use the whole phrase, idiot. Two, I hate when people romanticize and eroticize homosexuality and bisexuality. I feel (and you can disagree and say why in the comments) as if it's demeaning to treat bisexual and homosexual people as simple sexual objects for your pleasure or to engage in behavior that warrants scorn from so many in this country and not deal with the ridicule, scorn, and hate that comes with it. It's completely superficial. Homosexual and bisexual people are PEOPLE outside of your "Lil Freak" desires. Lastly, this song is just totally ew. Again, it doesn't convey the maturity that he claims is where he's trying to go in his career. And how DARE you take Stevie Wonder's sociopolitical gem "Living For the City" and turn it into this garbage?! That's as bad as Rich Boy sampling Switch's beautiful ballad "I Call Your Name" for his hot crap "Throw Some D's". It's just wrong. It's unacceptable.
Usher has gone the Mariah Carey route in his career. He's neglected true growth, substance, and artistry for radio-friendly hits and no-brain-required pop-dance music. He's contributing to the mindless, drone-like, everything-sounds-the-same music we hear on the radio or watch on television. What's sad is that he's capable of more; he's already done more! If he wanted to, he could crank out some good, honest-to-God, straight-up dope R&B songs and albums, but he's in it for the profit. He's so desperate to both make money and stay relevant that he has forsaken his musical soul so that these teens and twenty-somethings will still buy his music. However, at one point do you honestly, and seriously grow up?
People deserve better. Evolve with your music and force your listeners to evolve with you. A dope thing about Kanye is that he takes the Hip Hop genre and puts his own spin on it while staying true to the culture and staying true to himself as an artist. He takes risks, and he's taking Hip Hop into a new era that leaves wide open a world of possibilities. While Usher is claiming "R&B forever," he has not shown that he's still making and interested in making R&B records. Even "There Goes My Baby" has a hardened drum beat at the bottom, so does "Hey Daddy...". He's not reinventing the genre, simply mashing it up with Pop and Hip Hop (and doing it badly). At this point, he shouldn't even call himself an R&B artist anymore because it's clear that he's a Pop artist.
Usher Raymond was an artist with immense talent, and he still has talent. It is evident that he has a certain aura that people are drawn to and that he can move a crowd and sell records. However, it comes at a price, the neglect of artistry and depth for superficial music and record sales. Recycled themes and surface-level writing with barely-tolerable production can only get you so far, and it shouldn't be rewarded with undeserved accolades and trophies. "Yeah," you'll sell records, and you'll win at awards shows, but you'll stay a simple singer instead of an incredible artist.
Usher, do better.